Prince Rudolph's Bird of Paradise by Roos Holleman

Magnificent large art piece named Prince Rudolph's Bird of Paradise by Dutch artist Roos Holleman.

Roos Holleman (1989) who lives and works both in Denmark and the Netherlands is a young Dutch artist who is famous for drawing larger-than life animals, mostly birds and butterflies. Looking at her work online or in a book never does it any justice, since you cannot see how large her drawings actually are. Roos’ work focuses on the skin of things. She is interested in how playing with the tangibility and scale of a subject’s form and colors can affect our perception and our feeling - particularly as confrontations of our own mortality and cravings for beauty. Holleman has been working predominantly with large-scale soft pastel drawing in ways that try to emulate a sensorial experience. The suspension of time, motifs of mortality and abundance, and the physicality are things she has been trying to grasp within her works.

Her artistic endeavors have been showcased in numerous exhibitions and art fairs around the world, including the PAN in Amsterdam. Notably, this specific pastel painting was acquired privately directly from the artist immediately upon its creation in 2018 and has not been up for show anywhere.

About the artist:
Roos Hollemans (1989, Tilburg) work focuses on the skin of things. She is interested in how playing with the tangibility and scale of a subject’s form and colours can affect our perception and our feeling for the thing. She often take her subjects from nature and places of natural history, including the internet. In her practice, recurring themes are the malleability and covetousness of the natural and material world—particularly as confrontations of our own mortality and cravings for beauty.

Study skins, fly lures, masks and other curious objects dominate the pastel drawings of Roos Holleman. "I consider my work to be exercises of attention: Studies of subjects, of their details, their being and their place in the world. Stroking is an act of affection. Drawing, creating a cacophony of strokes, connects me in that intimate way to my fascinations. They are subjects with a tactile exterior, but often with something going on underneath their surface. I am a kind of shaman, using crayons to blow life into un-living things. I am also a pathologist, performing optical autopsies on paper. Both are looking for the extraordinary in the ordinary and the ordinary in the extraordinary. The devil is in the details."

Roos Holleman has been working predominantly with large scale soft pastel drawing in ways that try to emulate a sensorial experience that is not always satisfied with only seeing when we find ourselves in the presence of art and nature. What, for example, does it feel like to lose yourself in the fluff of a bird?

The paintings and drawings of the Dutch baroque have deeply influenced her as an artist, especially the still lifes in which the painter’s scientific and worldly curiosity feels very tangible. The suspension of time, motifs of mortality and abundance, and the physicality in these works are things she has been trying to grasp within her own practice. It is a way to cope with fleetingness of life and with her own desires and losses.

Birds are very often visited in her work, mostly as the study skins found in the depots of natural history museums. Unlike the plumage of living birds, bird skins are not meant to be admired—let alone displayed—but to be studied behind the scenes. Their appearance is rigid and compactly folded with their bodies quite literally shaped by human hands into bundles of fading colour. This human intervention of the bird and its disheveled beauty is what attracts her to bird skins as a subject. They embody the complex relationship we have with nature in a very intimate way to her. When drawing these dead birds among other things, she focus on their anthropomorphic features. Together with a play on scale and texture she tries to create a bond between the onlooker and the work.